Before I fell in love
with Coffee, Cricket, Music or my Wife, I fell in love with Cinema. This I can
say with conviction though it is based on hearsay. I have been informed
through reliable sources i.e., my mother that my tryst with the world of motion
pictures started well before I had control over either my motion or my motions.
The story of my first visit to the dank and darkened Cinema is oft repeated and
oft quoted episode in the family circles and will find prominent place in my
autobiography as and when it is written. To give you a peep into the same, I am
supposed to have let everyone in the cinema know how much I appreciate this
medium. So much enthusiasm that a feeding bottle thrust into my mouth could not
keep me quiet. I am also informed that my debut movie was called ‘Haathi Mere Saathi’ and my father was
banished from the hall due to my enthusiasm and managed to only see the tail
and the trunk of the lead artist of the film, an elephant aka Ramu because that
is all he could see from the keyhole outside the hall screening the film.
Ever since then, the
world of make believe has had an impact on me like no other, including
education. My real and reel life were so intermingled that I wore Rajesh
Khanna’s Guru shirts, sported
Amitabh Bachchan’s kaan chanpa hair cut, Kamal
Hassan’s moustache, Govinda’s green-shirt-yellow-trousers ensemble, even a hint
of Ramarajan’s lipstick. The only thing I could not master was that
flip-to-the-lip-cigarette a la Super Star Rajnikanth. I fell in love like Rishi
Kapoor, nursed my broken heart like Dilip Kumar, smiled divinely like Uttam Kumar,
cried like Sivaji Ganesan, danced like Jumping Jack Jeetendra , laughed
like Gabbar Singh and fought like…………...no, no, NO fighting. Not with the
two-packs structure I possessed like Dhanush! I even refuse going to temples
because Bhagwan Krishna doesn't have even a fleeting resemblance to N T Rama Rao.
I have often been
badgered on my down market tastes by either the hoi
polloi, Starbucks swigging South ‘Bohmbaye’ types who swear
by Hollywood or the bearded Jholawalas who over gallons of
watery liquids in Indian coffee Houses interrupted by measured drags of
Charminar or Beedi at the rate of one puff every 38 seconds dissected
that ‘the past, the present, the future’ scene in a Mrinal Sen’s Black &
White “A” film. A for Awards film I mean branded 'New Wave Cinema' by
mainstream media. I am not the kind who would like to be seen within a mile’s
distance of ‘A’ films. Sorry to disappoint you Ritwik Ghataks, Satyajit Rays,
Shyam Benegals, Adoor Gopalakrishnans, G.Aravindans etc. I refuse to sit in a
cinema to watch your classics which require me to read film reviews to
understand how noble your motives were, how eloquent your frames were and how
you have pushed the envelope of world Cinema. I am not a banner boy of
Hollywood either. I refuse to see those Hollywood comedies as my handicap
of not being an EMT (English Medium Types you dummkopf) does not permit me to understand those heavily
accented dialogues. I refuse to see the Hollywood rom-coms also. How can you
have a romantic film without at least one love song every 3 reels. I concede
grudgingly that I don’t mind the Jurassic Parks, the Godzillas, the Anacondas,
the King Kongs provided the lead characters i.e., the Dinos, Lizards, Snakes,
Chimps etc speak in Hindi, Tamil or Telugu. Who cares about minor details like
DNAs or radiation etc as long as they gobble up people every few scenes,
destroy vehicles, massacre Manhattan and reduce it to a rubble, which I
must agree is pretty fun. But only if they are dubbed in……
I am the
quintessential MasalaMan as you have rightly guessed. Fan of the largest film
Industry in the World, Indian Cinema; Bollywood, Kollywood, Mollywood,
Sandalwood, Tollywood and Tollywood no bar. No, not an editing error. You read
it right. The Telugu and Bengali filmdom sport the same woody nomenclature.
Plus some more who have not yet been fortunate enough to have the honour of a
wood thrust on them, Bhojpuri, Assamese, Marathi industries comes to mind. The
kind of films which are not only loved through the length and breadth of this
country and the Diaspora but increasingly native audiences ranging from the
Arabs to the residents of the first world countries. The Films which even as we
speak, are enhancing India’s Soft Power from the multiplexes in Americas
and Europe to the touring talkies of Ethiopia and Papua New Guinea. From lost
in a Kumbh mela, separated at birth
twins, three brothers paying a tribute to Indian Secularism, love triangles,
rich-girl-poor guy love affair or its alternate rich-guy-poor-girl love affair,
Manoj Kumar led East or West India is the best or saving the Motherland
from umpteen ‘foreign hands’ like Karuppu MGR ‘Captain’
Vijaykanth, I lap up everything. Show me one Hollywood film which has a hero
who can jump 4000 feet vertically upwards and kick a villain bang on his head
which appears magically on every floor of a building without setting foot on
terra firma? Can a Hollywood musical put out miraculously the appearance of 300+
junior artists who can dance with absolute synchronization without as much as
breaking a sweat? Can a Hollywood hunk single handedly kill a fully grown
crocodile with a single punch? Our original super hero HanuMan can in one
stroke reduce all your Super, Bat, Spider Men to a nobody. Daara
Singhji da jawaab nahi! The Hulk is nothing
more than a Dharam Paaji on steroids. Even your
curry westerns are tasteless without our “mehbooba
o mehbooba”. While we have not yet graduated to saving the
world, Ra.One ki kasam, we are getting there.
So before you say
anything derogatory about this dream world of mine……..........Mind It!
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PS: MasalaMan2 is at
planning stage. Scripting will start if this receives overwhelming response at
Box-Office like 50 RTs on Twitter, 25 Likes on Facebook and anything over 0*
from @taran_adarsh!